We can blame some of it on the fact that the ratings system didn't really kick into full gear until the mid to late 80s, but there are some films that should have been rated right alongside a lot of horrors. Gremlins & Raiders of the Lost Ark both helped Spielberg (who produced and directed respectively) give birth to the PG-13 rating due to some scenes that definitely classify as full on horror. Beetlejuice managed a PG even though he was a horny pervert who even uses the word "fuck" at one point in the uncut version, and also grabs his balls. Even Jaws only got a PG stamp originally- one of the defining horror movies of the 1970s, a classic and the birth of the true summer blockbuster. The Graduate, in particular I would like to mention, only received a PG rating. So, we don't want children watching an R movie about a man who isn't real that comes in your dreams and kills you, yet it's fine if they see a much older married woman committing adultery by seducing a much younger college kid into an affair? Believe me, I think it should ALL be allowed, under discretion- but why promote one and shun the other? Expose people to all or none of it, there should be no distinction between the two. On the subject of moral standing, don't they both seem to be amoral? Justifying one is justifying the other.
Times change it seems for most genres but some things just stay the same. Midnight Cowboy received the dreaded X rating although still winning Best Picture and 32 years later the previously mentioned Monster's Ball only got an R, winning Halle her Oscar. Even though the ratings loosened a little, both pictures garnered Academy Awards. Where are the Best Foreign Film awards, even nominations, for Dario Argento? Why didn't Hitchcock win for Psycho? Midnight Cowboy, a film which I own and love, is an exceptional production and deserved an Oscar nod but is it a film that deserved an Academy Award for Best Picture in the same world where Psycho did not win Alfred Hitchcock an Oscar for Best Director? It boggles my mind how a piece of work can be ignored solely due to the subject matter being that of horror. The Academy does not want a slasher to hold the gold. Now if your killer is a racist on Death Row- Oscar bait. If your film is about the Holocaust or another genocide, the Academy wants YOU. Did you play a role where you are beaten, raped and later murdered in a story about love against all odds? Start writing your Oscar speech. Where do we draw the line? Apparently sex is fine, even taboo stuff sometimes, as long as nobody gets killed- wait... people can get killed, but it has to be fashionable and make it sexy. It can't be too real, we wouldn't want to get too close to reality. As long as it looks less threatening, as long as there's some humanity in it- oh, like the humane scene in which Hilary Swank is brutally beaten and raped in the backseat of a car by two men? The role she won her first Oscar for. Good thing that rape isn't traumatizing like those nasty horror films...
Funny thing is nowadays it's like the sex is getting more violent, but regular violence is still pushed back to the darkest corners of cinema. It seems every second new "torture porn" or remake of a classic features a tediously long rape scene, single handedly proving that sex is predominate over all other appeals. Sure, people love to see a bunch of teens running around in the woods getting killed one by one- but they also love to see a good rape. It's disturbing. You can say the same thing that wanting to see murder on screen is sick and twisted but even if it seems funny to have such an ethical code when it comes to killing versus sexual assault, don't you think that enjoy watching rape is a little creepier? Sexual violence is a whole different form of depravity. There can be some of that in horror but that's when the genre becomes weak, the reason why the "torture porn" generation of films coming out as of late is a plague on the horror genre as a whole. Sexual violence becomes the main focus of these films and sucks life out of the story; rape and sexual assault is emotionally exhausting because it's not a natural part of life as much as people can argue for the case of instinct, whereas death is more natural (even if it is at the hands of some maniac killer but you get what I'm saying).

*Statistic shown on teenage pregnancy births and homicides in USA for 2009 all available on NationMaster.com*
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